Intaglio : (Record no. 17677)
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| 000 -BAŞLIK | |
|---|---|
| Sabit Uzunluktaki Kontrol Alanı | 07011nam a2200313 4500 |
| 001 - KONTROL NUMARASI | |
| control field | 9734 |
| 003 - KONTROL NUMARASI KİMLİĞİ | |
| Kontrol Alanı | KOHA_MIRAKIL |
| 005 - EN SON İŞLEM TARİHİ ve ZAMANI | |
| Kontrol Alanı | 20190508060546.0 |
| 008 - SABİT UZUNLUKTAKİ VERİ ÖGELERİ - GENEL BİLGİ | |
| Sabit Alan | 111004b tu 000 0 |
| 020 ## - ISBN - ULUSLARARASI STANDART KİTAP NUMARASI | |
| Isbn | 9780500513439 |
| 020 ## - ISBN - ULUSLARARASI STANDART KİTAP NUMARASI | |
| Isbn | 0500513430 |
| 020 ## - ISBN - ULUSLARARASI STANDART KİTAP NUMARASI | |
| Isbn | 9780500286616 |
| 050 #4 - SINIFLAMA ve YER NUMARASI | |
| Sınıflama Numarası | NE1625 |
| Yer Numarası | .A33 2007 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 765 |
| Edition number | 22 |
| 090 ## - YEREL YER NUMARASI | |
| Yerel Yer Numarası | NE1625 .A33 2007 |
| 100 1# - KİŞİ ADI | |
| Yazar Adı (Kişi adı) | Adam, Robert. |
| 245 10 - ESER ADI BİLDİRİMİ | |
| Başlık | Intaglio : |
| Alt Başlık | acrylic-resist etching, collagraphy, engraving, drypoint, mezzotint : the complete safety-first system for creative printmaking / |
| Sorumluluk Bildirimi | Robert Adam, Carol Robertson. |
| 246 30 - VARYING FORM OF TITLE | |
| Title proper/short title | Complete safety-first system for creative printmaking |
| 246 14 - VARYING FORM OF TITLE | |
| Title proper/short title | Intaglio : the complete safety-first system for creative printmaking |
| 260 ## - YAYIN, DAĞITIM, VB. | |
| Yayın Yeri | London : |
| Yayınevi | Thames & Hudson, |
| Yayın Tarihi | 2007. |
| 300 ## - FİZİKSEL TANIMLAMA | |
| Sayfa, cilt vb.sayısı | 240 p. : |
| Diğer fiziki detaylar | ill. ; |
| Boyutları | 26 cm. |
| 504 ## - BİBLİYOGRAFİ NOTU | |
| Bibliography, etc. note | Includes index. |
| 505 ## - İÇİNDEKİLER NOTU | |
| İçindekiler Notu | [pt. 1]. How intaglio printmaking developed -- The origins of intaglio -- The innovators and their techniques -- [pt. 2]. The move towards safer working methods -- Traditional intaglio techniques and their implications for health, safety and the environment -- Plates and traditional plate preparation methods -- Traditional resists, their solvents and etching the plate -- Traditional collagraphic plate-making -- Traditional inks and their solvents -- Sourcing information about chemicals and their correct use -- How chemicals enter the body -- High-risk groups -- A complete safer intaglio system -- [pt. 3]. Planning and equipping a studio for intaglio printmaking -- Planning the studio -- Equipping the studio -- General studio facilities and equipment -- Equipment and workstation for direct intaglio methods -- Equipment and workstations for acrylic-resist etching methods -- Equipment and workstations for collagraphy methods -- Equipment and facilities for light-sensitive intaglio methods -- Workstations for making positives -- Equipment and facilities for printing -- Good studio practice -- Personal equipment -- [pt. 4]. The principles of intaglio printmaking -- The artist’s concept -- Making an intaglio plate -- Subtractive methods -- Additive methods -- Combined intaglio methods -- Printing from the plate -- [pt. 5]. Preparing the plate -- Selecting plate materials -- Cutting and filing plates -- Cleaning and de-oxidizing plates -- Graining the plate surface -- Polishing the plate surface -- Degreasing and rinsing plates -- [pt. 6]. Direct intaglio methods -- Engraving -- Drypoint -- Mezzotint -- Scraping and burnishing -- Repoussage -- Air-abrading techniques, including the use of light-sensitive and other masks -- [pt. 7]. Etching -- The etching process and the use of resists -- Etching working practice checklist -- Plate-backing resists -- Types of plate-backing resist and their application methods -- Hard resists -- Making a guide drawing -- Drawing into the resist -- Working into the resist to create broad open areas -- Types of hard resist and their application methods -- Soft resists -- Creating collage-type impressions -- The classical offsetting drawing method -- Drawing directly into the soft resist -- Types of soft resist and their application methods -- Stop-out resist and controlling tone -- Painting methods -- Drawing into the stop-out resist -- Correcting or editing an image -- Stopping out and the stage-biting process -- Types of stop-out resist -- Creating tonal structures and the aquatint method -- Using the puncturing method -- Creating a scrobiculated surface using soft resist -- Creating an etched ink-holding grid using soft resist -- Creating an aquatint -- Types of acrylic resist for aquatint -- Wash resists -- Painting methods -- Types of wash resist -- Photoresists -- Lamination method -- Exposing the photoresist -- Developing the photoresist -- Developing the photoresist -- Curing, drying, etching or working the plate further -- Other types of resist -- Oily resists -- Waterproof maker pens -- Photocopy transfers -- Adhesive tapes -- Etching the plate -- Mordants -- Mordants which are not recommended -- Mordants which are recommended -- [pt. 8]. Collagraphy -- Collagraphy -- Creating fine linear work -- Creating coutour lines -- Creating textures, tones and patterns -- Creating, lines, washes and tonal areas with carborundum -- Creating mezzotint effects and pale tones -- Using screenprinting techniques -- Photocollagraphy -- Using dry film photoresist to create photocollagraph plates -- Using flexographic water-washable photopolymer plates as photocollagraphs -- [pt. 9]. Positives -- Using positives in light-sensitive intaglio printmaking -- Substrates and materials used for positives -- Autographic positives -- Photographic positives -- Digital positives -- Photocopy positives -- Halftone contact screens -- Colour separation and process printing -- [pt. 10]. Inking-up and printing methods -- Approaches to printing -- The intaglio inking-up and printing method -- À la poupée -- Embossing -- Chine collé -- Roll-over and viscosity printing methods -- Monotypes -- Combining intaglio with other media -- Registration methods -- Inks and additives -- Making inks for intaglio methods -- [pt. 11]. Removing resists, collagraph materials and inks from the plate -- Sodium carbonate stripping solution -- Lascaux remover and Mystrol vegetable oil -- Printing substrates -- Paper -- Preparing the paper for printing -- [pt. 12]. Collating and presenting intaglio prints -- Collating intaglio prints -- Presenting intaglio prints -- Storing plates -- International suppliers of materials -- Glossary -- Picture credits -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | The complete safety-first system for creative intaglio printmaking. This practical and inspirational book is the definitive guide to intaglio printmaking. With clear step-by-step instructions and hundreds of illustrations, it describes methods that, while employing a strong traditional basis, avoid the use of toxic materials to achieve stunning prints the modern way—safer, healthier, and more environmentally friendly. Covering every stage of the plate-making and printing process, the book opens up creative possibilities for beginners and experienced printmakers alike. Whichever intaglio technique you wish to use—acrylic-resist etching methods such as aquatint, photo-etching, collagraphy, and photocollagraphy; or engraving, drypoint, mezzotint, burnishing, and air-abrading—classically trained printmakers Robert Adam and Carol Robertson show you how to do it. From setting up and equipping an intaglio studio, through choosing a printing method, to collating and presenting finished prints, this beautifully illustrated and comprehensive reference book—complete with a list of international suppliers and glossary—is the only resource any art practitioner, educator, or student will ever need. 229 illustrations, 199 in color. |
| 650 #0 - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ | |
| Konusal terim veya coğrafi ad | Intaglio printing. |
| 650 #0 - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ | |
| Konusal terim veya coğrafi ad | Prints |
| Genel Alt Konu | Technique. |
| 700 1# - KONU BAŞLIĞI EK GİRİŞİ - KİŞİ ADI | |
| Yazar Adı (Kişi adı) | Robertson, Carol. |
| 942 ## - EK GİRİŞ ÖGELERİ (KOHA) | |
| Sınıflama Kaynağı veya Raf Düzeni | Library of Congress Classification |
| Koha item type | Books |
| Geri Çekilme Durumu | Kayıp Durumu | Sınıflandırma Kaynağı | Hasarlı Durumu | Kredi için değil | Kalıcı Konum | Mevcut Konum | Alındığı Tarih | Maliyet, Alış Fiyatı | Toplam Ödünçverme | Yer Numarası | Demirnaş Numarası | Maliyet, Yenileme Fiyatı | Fatura Tarihi | Materyal Türü |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Vitali Hakko Kreatif Endüstriler Kütüphanesi | Vitali Hakko Kreatif Endüstriler Kütüphanesi | 11/22/2010 | 0.00 | NE1625 .A33 2007 | 006959 | 0.00 | 11/22/2010 | Books |