MARC details
| 000 -BAŞLIK |
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| Sabit Uzunluktaki Kontrol Alanı |
03820nam a2200349 4500 |
| 001 - KONTROL NUMARASI |
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| control field |
10127 |
| 003 - KONTROL NUMARASI KİMLİĞİ |
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| Kontrol Alanı |
KOHA_MIRAKIL |
| 005 - EN SON İŞLEM TARİHİ ve ZAMANI |
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| Kontrol Alanı |
20190508060913.0 |
| 008 - SABİT UZUNLUKTAKİ VERİ ÖGELERİ - GENEL BİLGİ |
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| Sabit Alan |
110822b tu 000 0 |
| 020 ## - ISBN - ULUSLARARASI STANDART KİTAP NUMARASI |
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| Isbn |
9780300124118 |
| 041 ## - DİL KODU |
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| Metin ya da ses kaydının dil kodu |
eng |
| 050 ## - SINIFLAMA ve YER NUMARASI |
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| Sınıflama Numarası |
N 8220 .A78 2008 |
| 090 ## - YEREL YER NUMARASI |
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| Yerel Yer Numarası |
N 8220 .A78 2008 |
| 245 ## - ESER ADI BİLDİRİMİ |
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| Başlık |
Art and love in Renaissance Italy / |
| Sorumluluk Bildirimi |
edited by Andrea Bayer ... [et al.] ; with contributions by Sarah Cartwright ... [et al.]. |
| 260 ## - YAYIN, DAĞITIM, VB. |
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| Yayın Yeri |
New York : |
| -- |
New Haven : |
| Yayınevi |
Metropolitan Museum of Art ; |
| -- |
Yale University Press, |
| Yayın Tarihi |
2008. |
| 300 ## - FİZİKSEL TANIMLAMA |
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| Sayfa, cilt vb.sayısı |
xv, 376 p. : |
| Diğer fiziki detaylar |
ill. (some col.) ; |
| Boyutları |
32 cm. |
| 500 ## - GENEL NOT |
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| Genel Not |
Issued in connection with an exhibition held Nov. 11, 2008-Feb. 16, 2009, Metropolitan Museum of Art, New York, and Mar. 15-June 14, 2009, Kimbell Art Museum, Fort Worth. |
| 504 ## - BİBLİYOGRAFİ NOTU |
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| Bibliography, etc. note |
Includes bibliographical references (p. 333-364) and index. |
| 505 ## - İÇİNDEKİLER NOTU |
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| Statement of responsibility |
Andrea Bayer -- |
| -- |
Deborah L. Krohn -- |
| -- |
Everett Fahy -- |
| -- |
Jacqueline Marie Musacchio -- |
| -- |
Linda Wolk-Simon -- |
| -- |
Deborah L. Krohn -- |
| -- |
James Grantham Turner -- |
| -- |
Andrea Bayer -- |
| -- |
Beverly Louise Brown -- |
| -- |
Luke Syson -- |
| Title |
Directors' foreword -- |
| -- |
Lenders to the Exhibition -- |
| -- |
Contributors to the catalogue -- |
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Introduction: art and love in Renaissance Italy / |
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Marriage as a key to understanding the past / |
| -- |
The marriage portrait in the Renaissance, or some woman named Ginevra / |
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Wives, lovers, and art in Italian Renaissance courts / |
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"Rapture to the greedy eyes": profane love in the Renaissance / |
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CATALOGUE. Commemorating betrothal, marriage, and childbirth -- |
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Rites of passage: art objects to celebrate betrothal, marriage, and the family / |
| -- |
Maiolica of love and marriage -- |
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Belle Donne, facing couples, and Fede -- |
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The cruelty of love: Amor Crudel -- |
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Marriage glassware -- |
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Gifts and furnishings for the home -- |
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Cassone panels and chests -- |
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Manuscripts and books and the rituals of love and marriage -- |
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Childbirth and family -- |
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Profane love: the challenge of sexuality / |
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Paintings -- |
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Drawings -- |
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Books and prints -- |
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Maiolica -- |
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Bronzes -- |
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Accessories -- |
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The paintings of love and marriage -- |
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From Cassone to Poesia: paintings of love and marriage / |
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Picturing the perfect marriage: the equilibrium of sense and sensibility in Titian's Sacred and Profane Love / |
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Belle: picturing beautiful women / |
| -- |
Betrothal and marriage -- |
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Family -- |
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Widows -- |
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The Camera: Spalliere and other paintings -- |
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Illustrious women -- |
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Belle Donne -- |
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Mythologies and allegories. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET. |
| 650 ## - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
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| Konusal terim veya coğrafi ad |
Art, Italian |
| Form subdivision |
Exhibitions. |
| 650 ## - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
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| Konusal terim veya coğrafi ad |
Art, Renaissance -- Italy -- Exhibitions. |
| 650 ## - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
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| Konusal terim veya coğrafi ad |
Marriage in art. |
| Form subdivision |
Exhibitions. |
| 650 ## - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
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| Konusal terim veya coğrafi ad |
Love in art. |
| Form subdivision |
Exhibitions. |
| 700 ## - KONU BAŞLIĞI EK GİRİŞİ - KİŞİ ADI |
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| Yazar Adı (Kişi adı) |
Bayer, Andrea. |
| 710 ## - EK GİRİŞ - TÜZEL KİŞİ |
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| Ek Giriş - Tüzel Kişi |
Kimbell Art Museum. |
| 710 ## - EK GİRİŞ - TÜZEL KİŞİ |
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| Ek Giriş - Tüzel Kişi |
Metropolitan Museum of Art (New York, N.Y.) |
| 942 ## - EK GİRİŞ ÖGELERİ (KOHA) |
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| Koha item type |
|
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Books |
| 942 ## - EK GİRİŞ ÖGELERİ (KOHA) |
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| Sınıflama Kaynağı veya Raf Düzeni |
Library of Congress Classification |
| Koha item type |
Books |
| 942 ## - EK GİRİŞ ÖGELERİ (KOHA) |
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ddc |
| -- |
BKS |
| 942 ## - EK GİRİŞ ÖGELERİ (KOHA) |
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ddc |
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BKS |
