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Chinese graphic design in the twentieth century / Scott Minick and Jiao Ping.

By: Minick, Scott, 1955-Contributor(s): Jiao, Ping, 1959-Publication details: London : Thames and Hudson, c1990. Edition: Pbk. reprint. Originally published: 1990Description: 160 p. : ill. (some col.), ports. ; 26 cmISBN: 0500235988Subject(s): Graphic arts -- History -- 20th century. -- China | Graphic design | ChinaDDC classification: 741.60951 LOC classification: NC998.6.C5 M56 2010
Contents:
Chinese traditions -- May fourth and the formative years -- The Shanghai style -- The progressive movement -- Proletarians and paper tigers -- Yan'an and the artistic ideal -- The revolutionary machine -- The turbulent years -- Open doors and beyond -- Reference guide.
Summary: "From posters and advertisements to book covers and magazines, this volume presents a dazzling panoply of modern graphic design in China. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the centre of cultural revival in the new China. We see Art Deco coming to China in the Shanghai Style, and the birth of a dynamic national design style, born of Russian Constructivism and China's own drive for new technology. The Socialist Realist art of Mao in turn adopted folk traditions to fuel the Revolutionary machine, while the continuing search for a new identity can be seen in the graphic images of protest from the summer of 1989."--Inside cover.
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Item type Current library Call number Status Date due Barcode
Books Vitali Hakko Kreatif Endüstriler Kütüphanesi
NC998.6.C5 M56 2010 Not for loan 006961

Title in Chinese characters on title page.

Includes bibliographical references (p. 153-154) and indexes.

Chinese traditions -- May fourth and the formative years -- The Shanghai style -- The progressive movement -- Proletarians and paper tigers -- Yan'an and the artistic ideal -- The revolutionary machine -- The turbulent years -- Open doors and beyond -- Reference guide.

"From posters and advertisements to book covers and magazines, this volume presents a dazzling panoply of modern graphic design in China. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the centre of cultural revival in the new China. We see Art Deco coming to China in the Shanghai Style, and the birth of a dynamic national design style, born of Russian Constructivism and China's own drive for new technology. The Socialist Realist art of Mao in turn adopted folk traditions to fuel the Revolutionary machine, while the continuing search for a new identity can be seen in the graphic images of protest from the summer of 1989."--Inside cover.

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