Tullio Lombardo and Venetian High Renaissance sculpture Alison Luchs ; contributions by Adriana Augusti
Language: English Publication details: Washington; New Haven : National Gallery of Art ; Yale University Press, 2009. Description: xi, 148 p. : ill. (chiefly col.) ; 32 cmISBN: 9780300156676; 0300156677; 9780894683596; 0894683594Subject(s): Lombardo, Tullio -- Exhibitions | Sculpture, Renaissance -- Italy -- Venice -- Exhibitions | Sanat -- Heykel -- İtalya -- Venedik | Sanat -- Heykel -- Rönesans -- İtalyaLOC classification: NB 623 .L74 A4 2009| Item type | Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
| Books | Vitali Hakko Kreatif Endüstriler Kütüphanesi | NB 623 .L74 A4 2009 | Not for loan | 008171 |
Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., July 4-Oct. 31, 2009.
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Director's foreword -- Acknowledgments -- Lenders to the exhibition -- Essays -- A sculpture of longing : Tullio Lombardo, nostalgia for antiquity, and modern Venetian sculpture / Alison Luchs -- Tullio Lombardo : sculptor and architecto / Matteo Ceriana -- The sculptor in his cultural milieu / Adriana Augusti -- Catalogue -- Venetian expressive busts : portraiture, narrative, or fantasy? / Sarah Blake McHam and Alison Luchs -- Sacred sculpture and Tullio's expression / Alison Luchs -- Antiquity in the study : the contribution of Antonio Lombardo / Alison Luchs -- Bibliography -- Index.
The great Venetian sculptors of the High Renaissance, led by Tullio Lombardo (c. 1455-1532), explored a poetic and nostalgic approach to classical antiquity in their work. Their expression shares much with Mantegna, Bellini, Giorgione, and Titian in these painters' imaginative evocations of ancient history, mythology, philosophy, and poetry.Featuring a range of Tullio's work, including his sensuous and dramatic double-portrait reliefs, this book introduces the romantic qualities and beautiful craftsmanship of the sculptor and his closest followers, including his brother Antonio Lombardo, Simone Bianco, Antonio Minello, and Giammaria Mosca. Essays examine Tullio's innovations and the Venetian cultural setting where he developed them in dialogue with the northern Italian masters of Renaissance painting. Twelve works, carefully selected from this milieu, exemplify the creative approach and influ-ence of Tullio and the Lombardo workshop.