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Robert Ryman / Vittorio Colaizzi.

By: Colaizzi, Vittorio [author.]Publisher: London ; New York, New York : Phaidon Press, 2017Description: 343 pages : illustrations (chiefly color) ; 30 cmISBN: 9780714849348Subject(s): Ryman, Robert, 1930-2019 -- Criticism and interpretation | Monochrome painting -- United States -- 20th century | Monochrome painting -- United States -- 21st century | Painting, American -- 20th century | Painting, American -- 21st centuryLOC classification: ND 237 .R83 | C65 2017
Contents:
Introduction: the seeing of painting -- A one-time thing -- Not exactly Expressionist -- Projecting a different experience -- Crazy paintings -- A picture of a line -- Getting the paint across -- The way it acts -- A question of what.
Summary: The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting -- abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.
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Item type Current library Call number Status Date due Barcode
Books Vitali Hakko Kreatif Endüstriler Kütüphanesi
ND 237 .R83 C65 2017 Not for loan 012474

Includes bibliographical references (pages 332-339) and index.

Introduction: the seeing of painting -- A one-time thing -- Not exactly Expressionist -- Projecting a different experience -- Crazy paintings -- A picture of a line -- Getting the paint across -- The way it acts -- A question of what.

The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting -- abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.

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