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Kenji Mizoguchi and the art of Japanese cinema / Tadao Sato ; translated by Brij Tankha ; edited by Aruna Vasudev & Latika Padgaonkar.

By: Contributor(s): Language: English Publication details: Oxford ; New York, NY : Berg, 2008.Description: 196 p. : ill. ; 24 cmISBN:
  • 9781847882318
  • 9781847882301
  • 1847882315
  • 1847882307
Uniform titles:
  • Mizoguchi Kenji no sekai. English
Subject(s): LOC classification:
  • PN1998.3 .M58 S2813 2008
Contents:
1. Original Spirit -- 2. Encountering the New School Theatre -- 3. From New School Theatre to Naturalism-Realism -- 4. Social Realism -- 5. Fate of Matinee Idols -- 6. Art Imitates Life -- 7. Three Traditional Art Films (Geidomono) -- 8. Difficult Woman -- 9. Recreating the Classics -- 10. Last Works -- 11. Dialectic of Camera and Performance -- 12. Looking Up, Looking Down -- Mizoguchi's Filmography -- List of English and Original Titles of Films of Other Directors Cited in the Book.
Summary: A guide to the life and work of one of the greatest film-makers of the twentieth century - Kenji Mizoguchi. It discusses Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns.
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Holdings
Item type Current library Call number Status Date due Barcode
Books Vitali Hakko Kreatif Endüstriler Kütüphanesi PN1998.3 .M58 S2813 2008 Not for loan 008535

Includes filmography (p. 183-188) and index.

1. Original Spirit -- 2. Encountering the New School Theatre -- 3. From New School Theatre to Naturalism-Realism -- 4. Social Realism -- 5. Fate of Matinee Idols -- 6. Art Imitates Life -- 7. Three Traditional Art Films (Geidomono) -- 8. Difficult Woman -- 9. Recreating the Classics -- 10. Last Works -- 11. Dialectic of Camera and Performance -- 12. Looking Up, Looking Down -- Mizoguchi's Filmography -- List of English and Original Titles of Films of Other Directors Cited in the Book.

A guide to the life and work of one of the greatest film-makers of the twentieth century - Kenji Mizoguchi. It discusses Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns.

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