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Street/studio : the place of street art in Melbourne / by Alison Young ... [et al.].

Contributor(s): Young, Alison, 1962-Publication details: Fishermans Bend, Vic. : Thames & Hudson, 2010. Description: 256 p. : chiefly ill. (some col.) ; 30 cmISBN: 9780500500200Subject(s): Street art -- Australia -- Melbourne (Vic.) | Artists -- Australia -- Melbourne (Vic.) | Graffiti -- Australia -- Melbourne (Vic.)LOC classification: ND2871.M45 S77 2010
Contents:
Introduction / Miso -- Art on the threshold: an essay / Alison Young -- Neils Oeltjen -- Tom Civil -- Tai Snaith -- Ghostpatrol -- Ash Keating -- Al Stark -- Miso -- Twoone -- Mic Porter -- Everfresh crew.
Summary: Melbourne is deemed as the stencil capital of the world. As in other street art epicentres such as London, New York and Berlin, local artists in Melbourne must negotiate the challenges between the street, the studio and gallery spaces as urban art becomes increasingly commercialized in contemporary culture. This book examines these challenges. In Melbourne, as in other street art epicentres such as London, New York, Berlin, Paris and Barcelona, artists are increasingly coming to face the issues of working between the street, the studio and the gallery space - negotiating their limitations and exploring their advantages.
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ND2871.M45 S77 2010 Not for loan 008121

Introduction / Miso -- Art on the threshold: an essay / Alison Young -- Neils Oeltjen -- Tom Civil -- Tai Snaith -- Ghostpatrol -- Ash Keating -- Al Stark -- Miso -- Twoone -- Mic Porter -- Everfresh crew.

Melbourne is deemed as the stencil capital of the world. As in other street art epicentres such as London, New York and Berlin, local artists in Melbourne must negotiate the challenges between the street, the studio and gallery spaces as urban art becomes increasingly commercialized in contemporary culture. This book examines these challenges. In Melbourne, as in other street art epicentres such as London, New York, Berlin, Paris and Barcelona, artists are increasingly coming to face the issues of working between the street, the studio and the gallery space - negotiating their limitations and exploring their advantages.

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