000			01986nam a2200337 4500
001			799
003			KOHA_MIRAKIL
005			20190508053341.0
008			100202b tu 000 0
020			_a9782843235122
020			_a284323512X
041			_aeng
050			_aTT 290 .Q85 2004
090			_aTT 290 .Q85 2004
100			_aQuilleriet, Anne-Laure.
245			_aThe leather book / _ctransleted by Simon Pleasance, Fronza Woods.
260			_aNew York : _bAssouline ; _cc2004.
300			_a399 p. : _bill. (chiefly col.) ; _c22 cm.
504			_aIncludes bibliographical references (p. 392-395)
520			_aFollowing on the success of The T-Shirt Book... Since prehistoric times, when human beings first wore animal skins out of necessity, leather has always had a special place in fashion. Images associated with leather range from the foul-smelling pelts that protected prehistoric cave dwellers from the elements to leather garments chiseled as finely as precious gems by such designers as Jean-Paul Gaultier and John Galliano. As a living material that's sculpted into unique relief by the body's own habits, leather has metamorphosed into countless styles throughout the 20th century, from the tough virility of the biker fraternity to fetishistic corselets that symbolize unabashed luxury or a return to the rustic. Leather is a second skin that reveals our identity, defies the seasons and stays with us for years, even across generations. Leather bears witness to the turmoils of a century torn between the frantic quest for progress and longing for the values of humanity. At a time when our beliefs in progress are being seriously undermined by terrorist attacks and medical
650			_aLeather goods.
650			_aLeather.
700			_aWoods, Fronza.
700			_aPleasance, Simon.
999			_c12291 _d12291
942			_ddcddc _BKBKS
942			_ddcddc _BKBKS
942			_ddcddc _BKBKS
942			_ddcddc _BKBKS
942			_cddc _cBK
942			_2lcc _cBK