000 | 04630cam a22003977i 4500 | ||
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001 | 19276843 | ||
003 | TR-IsVHK | ||
005 | 20231107103944.0 | ||
008 | 160916s2017 nyua b 000 0 eng d | ||
010 | _a 2016954145 | ||
020 | _a9780847858552 | ||
020 | _a0847858553 | ||
041 | _aENG | ||
050 | 0 | 0 |
_aN 6537 _b.E45 2017 |
100 | 1 |
_aPeyton, Elizabeth, _d1965- _eartist. |
|
240 | 1 | 0 |
_aWorks. _kSelections |
245 | 1 | 0 |
_aElizabeth Peyton : _bdark incandescence : 5, 2009-2014 / _ctext by Kirsty Bell. |
246 | 3 | 0 | _aDark incandescence |
264 | 1 |
_aNew York : _bRizzoli, _c2017. |
|
300 |
_a248 p. : _bill. ; _c31 cm. |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aThis beautiful volume focuses on a five-year period in Elizabeth Peyton's evolving career to suggest not only a visual chronicle of an age, its heroes, heroines, and interests, but also of an individual's life that of Peyton herself. Elizabeth Peyton's work has been acclaimed since the early 1990s, when she began exhibiting her intimate portraits of artists, musicians, historical figures, and friends. This new volume, prepared by the artist in collaboration with designer Brendan Dugan, founder of Karma bookstore and gallery, presents a concentrated view of a period bookended by two exhibitions in Brussels, one in 2009 and the second in 2014, a time of introspection, and the development of a more personal painterly language. This phase of Peyton's work is about a new realism and a considered situating of her interests and passions in relation to her own working practice. We see her range expand to take in lush still lifes composed of books, flowers, and fragmentary interiors; expressive, blooddrenched scenes drawn from Richard Wagner's operas; and many magnificent and subtle portraits of peers and mentors, historical or present-day. From David Bowie to celebrated tenor Jonas Kaufmann; from Delacroix and Giorgione to Peyton's artist peers such as Matthew Barney and Klara Liden; from 'Friday Night Lights' star Taylor Kitsch to tattoo artist Scott Campbell, as well as numerous self-portraits, her work is about narrowing the distance between the self and the object of fascination. "They are people expressing what it is to be human. Most art that's any good is trying to do that trying to put a voice to feeling. And in particular, the feeling of their time," writes Peyton | ||
504 | _aIncludes bibliographical references. | ||
520 | 8 | _aThis beautiful volume focuses on a five-year period in Elizabeth Peyton's evolving career to suggest not only a visual chronicle of an age, its heroes, heroines, and interests, but also of an individual's life that of Peyton herself. Elizabeth Peyton's work has been acclaimed since the early 1990s, when she began exhibiting her intimate portraits of artists, musicians, historical figures, and friends. This new volume, prepared by the artist in collaboration with designer Brendan Dugan, founder of Karma bookstore and gallery, presents a concentrated view of a period bookended by two exhibitions in Brussels, one in 2009 and the second in 2014, a time of introspection, and the development of a more personal painterly language. This phase of Peyton's work is about a new realism and a considered situating of her interests and passions in relation to her own working practice. We see her range expand to take in lush still lifes composed of books, flowers, and fragmentary interiors; expressive, blooddrenched scenes drawn from Richard Wagner's operas; and many magnificent and subtle portraits of peers and mentors, historical or present-day. From David Bowie to celebrated tenor Jonas Kaufmann; from Delacroix and Giorgione to Peyton's artist peers such as Matthew Barney and Klara Liden; from 'Friday Night Lights' star Taylor Kitsch to tattoo artist Scott Campbell, as well as numerous self-portraits, her work is about narrowing the distance between the self and the object of fascination. "They are people expressing what it is to be human. Most art that's any good is trying to do that trying to put a voice to feeling. And in particular, the feeling of their time," writes Peyton. | |
600 | 1 | 0 |
_aPeyton, Elizabeth, _d1965- |
600 | 1 | 7 |
_aPeyton, Elizabeth, _d1965- _2fast |
600 | 1 | 7 |
_aPeyton, Elizabeth _d1965- _2gnd |
650 | 0 |
_920995 _aIllustrated works. |
|
650 | 0 |
_921622 _aDécoration intérieure Ouvrages illustrés |
|
650 | 0 |
_922070 _aPeyton, Elizabeth 1965- |
|
700 | 1 |
_aBell, Kirsty, _ewriter of added commentary. |
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942 |
_2lcc _cBK |
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999 |
_c25078 _d25078 |