000 03527cam a22005057i 4500
001 19592270
003 KOHA_MİRAKIL
005 20231119080529.0
008 170411t20152004gw a 000 0 eng d
010 _a 2016439807
020 _a9783836523370
020 _a383652337X
035 _a(OCoLC)ocn937406560
040 _aDLC
_beng
_cDLC
_erda
041 _aeng
050 0 0 _aN 6494.P6
_bH6613 2015
100 1 _aHonnef, Klaus,
_eauthor.
240 1 0 _aPop art.
_lEnglish
245 1 0 _aPop art /
_cKlaus Honnef ; Uta Grosenick (ed.).
264 1 _aKöln :
_bTaschen,
_c[2015]
264 4 _c©2004
300 _a95 pages :
_bcolor illustrations ;
_c27 cm.
336 _atext
_btxt
_2rdacontent
336 _astill image
_bsti
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aBasic art series 2.0
500 _aOriginal edition: 2004 Taschen GmbH.
505 0 _aPop art -- Peter Blake: On the balcony -- Allan D'Arcangelo: U.S. Highway 1, number 5 -- Jim Dine: Double isometric self-portrait (Serape) -- Red Grooms: Hollywood (Jean Harlow) -- Richard Hamilton: Just what is it that makes today's homes so different, so appealing? -- My Marilyn (paste up) -- David Hockney: Tea painting in an illusionistic style -- Robert Indiana: The big eight -- Jasper Johns: Flag -- Allen Jones: Perfect match -- Roy Lichtenstein: Takka takka -- M-maybe -- Yellow and green brushstrokes -- Claes Oldenburg: Pastry case I -- Soft washstand -- Giant fagends -- Peter Phillips: Lions versus eagles -- Custom painting no. 5 -- Mel Ramos: Velveeta -- Robert Rauschenberg: Black market -- James Rosenquist: Untitled (Joan Crawford) -- Edward Ruscha: Standard station -- Hollywood -- George Segal: Woman washing her feet in a sink -- The restaurant window I -- Wayne Thiebaud: Cake counter -- Andy Warhol: 129 die in jet -- Gold Marilyn Monroe -- Two dollar bills (front and rear) -- Campbell's soup can I -- Tom Wesselmann: Still life no. 20 -- Bathtub no. 3 -- Great American nude no. 98.
520 _a"Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork. Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop Art also deployed methods of mass-production, reducing the role of the individual artist with mechanized techniques such as screen printing. With featured artists including Andy Warhol, Allan Jones, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein, this book introduces the full reach and influence of a defining modernist movement.
546 _aEnglish translation: John Gabriel.
648 7 _a1900-1999
_2fast
650 0 _aPop art
_zUnited States.
650 0 _aPop art
_zGreat Britain.
650 0 _aPop art
_zEurope.
650 0 _aArt, American
_y20th century.
650 7 _aArt, American.
_2fast
650 7 _aPop art.
_2fast
651 7 _aEurope.
_2fast
651 7 _aGreat Britain.
_2fast
651 7 _aUnited States.
_2fast
700 1 _aGrosenick, Uta,
_eeditor.
830 0 _aBasic art series.
942 _2lcc
_cBK
999 _c25106
_d25106