000 | 03527cam a22005057i 4500 | ||
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001 | 19592270 | ||
003 | KOHA_MİRAKIL | ||
005 | 20231119080529.0 | ||
008 | 170411t20152004gw a 000 0 eng d | ||
010 | _a 2016439807 | ||
020 | _a9783836523370 | ||
020 | _a383652337X | ||
035 | _a(OCoLC)ocn937406560 | ||
040 |
_aDLC _beng _cDLC _erda |
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041 | _aeng | ||
050 | 0 | 0 |
_aN 6494.P6 _bH6613 2015 |
100 | 1 |
_aHonnef, Klaus, _eauthor. |
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240 | 1 | 0 |
_aPop art. _lEnglish |
245 | 1 | 0 |
_aPop art / _cKlaus Honnef ; Uta Grosenick (ed.). |
264 | 1 |
_aKöln : _bTaschen, _c[2015] |
|
264 | 4 | _c©2004 | |
300 |
_a95 pages : _bcolor illustrations ; _c27 cm. |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aBasic art series 2.0 | |
500 | _aOriginal edition: 2004 Taschen GmbH. | ||
505 | 0 | _aPop art -- Peter Blake: On the balcony -- Allan D'Arcangelo: U.S. Highway 1, number 5 -- Jim Dine: Double isometric self-portrait (Serape) -- Red Grooms: Hollywood (Jean Harlow) -- Richard Hamilton: Just what is it that makes today's homes so different, so appealing? -- My Marilyn (paste up) -- David Hockney: Tea painting in an illusionistic style -- Robert Indiana: The big eight -- Jasper Johns: Flag -- Allen Jones: Perfect match -- Roy Lichtenstein: Takka takka -- M-maybe -- Yellow and green brushstrokes -- Claes Oldenburg: Pastry case I -- Soft washstand -- Giant fagends -- Peter Phillips: Lions versus eagles -- Custom painting no. 5 -- Mel Ramos: Velveeta -- Robert Rauschenberg: Black market -- James Rosenquist: Untitled (Joan Crawford) -- Edward Ruscha: Standard station -- Hollywood -- George Segal: Woman washing her feet in a sink -- The restaurant window I -- Wayne Thiebaud: Cake counter -- Andy Warhol: 129 die in jet -- Gold Marilyn Monroe -- Two dollar bills (front and rear) -- Campbell's soup can I -- Tom Wesselmann: Still life no. 20 -- Bathtub no. 3 -- Great American nude no. 98. | |
520 | _a"Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork. Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop Art also deployed methods of mass-production, reducing the role of the individual artist with mechanized techniques such as screen printing. With featured artists including Andy Warhol, Allan Jones, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein, this book introduces the full reach and influence of a defining modernist movement. | ||
546 | _aEnglish translation: John Gabriel. | ||
648 | 7 |
_a1900-1999 _2fast |
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650 | 0 |
_aPop art _zUnited States. |
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650 | 0 |
_aPop art _zGreat Britain. |
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650 | 0 |
_aPop art _zEurope. |
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650 | 0 |
_aArt, American _y20th century. |
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650 | 7 |
_aArt, American. _2fast |
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650 | 7 |
_aPop art. _2fast |
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651 | 7 |
_aEurope. _2fast |
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651 | 7 |
_aGreat Britain. _2fast |
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651 | 7 |
_aUnited States. _2fast |
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700 | 1 |
_aGrosenick, Uta, _eeditor. |
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830 | 0 | _aBasic art series. | |
942 |
_2lcc _cBK |
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999 |
_c25106 _d25106 |